A watercolour showing studies of trees, landscapes and colour trials, possibly executed under the tutelage of WL Leitch. Two landscapes are shown at the bottom of the sheet, the study to the right shows a seascape at sunset and the study to the left shows a loose parkland landscape. Studies of trees are shown above and colour trials are shown in three rows at to the top of the sheet.

From the age of eight Queen Victoria received regular lessons in drawing and watercolour from professional artists including Richard Westall (1765–1836) and Edward Lear (1812–88). However, it was the Scottish landscape painter William Leighton Leitch (1804–83) with whom she had the most enduring relationship, as he taught her for 22 years. Before teaching Queen Victoria, Leitch had established an impressive reputation as an art tutor, with his pupils including the Duchess of Buccleuch, the Duchess of Sutherland and Queen Victoria’s lady-in-waiting Charlotte Canning.

Queen Victoria’s first lesson with Leitch seems to have take place on 30 September 1846. It was around this time that Leitch produced a number of watercolour demonstration sheets from which Queen Victoria could learn and copy individual elements (such RCIN 923617). In these Leitch explained how to create a wide variety of different shades from the three primary colours. Queen Victoria’s attempt at following Leitch’s example can be seen in this sheet. Leitch’s tutoring was intended to be comprehensive, aiming to explain ‘all the elements of art – the composition, of light, and shade, and colour…’.

Queen Victoria was an enthusiastic pupil and was delighted by Leitch’s teaching method, exclaiming: ‘This is wonderful, and I am delighted; but I am surprised that I have never had this explained before.’ Leitch’s tuition enabled the Queen to develop into a talented painter in watercolour. When the artist Clarkson Stanfield (1793–1867) saw one of the Queen’s sketches in Leitch’s studio he declared: ‘she paints too well for an amateur. She will be soon entering the ranks as a professional artist’, although he did not know the identity of the artist.