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1 of 253523 objects
Recto: A costume study of a prisoner. Verso: A nude male figure c.1517-18
Recto: Black chalk. Verso: Black chalk | 18.4 x 12.7 cm (sheet of paper) | RCIN 912573
Leonardo da Vinci (1452-1519)
Recto: A costume study of a prisoner. Verso: A nude male figure c.1517-18
Leonardo da Vinci (1452-1519)
Recto: A costume study of a prisoner. Verso: A nude male figure c.1517-18
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Recto: a drawing of a man dressed in rags, with shackled feet and wrists, asking for alms. He stands three-quarters to the right, with his right hand on a club, and his left outstretched. Inscribed ojo. Verso: an outline of a nude male figure, facing the spectator, seen from the neck down, wearing loose socks.
As a court artist in France, Leonardo designed costumes for the many entertainments staged for King Francis I. While many of Leonardo’s costume studies aim at a great richness and layering of textiles, this ‘prisoner’, with tattered clothes and shackled ankles, leaning on a rustic club and begging for alms, would have been intended as a picturesque contrast, to heighten the effect of the more luxuriously dressed protagonists. See also RCIN 912574 - 912577.
Provenance
Bequeathed to Francesco Melzi; from whose heirs purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 14th Earl of Arundel, by 1630; probably acquired by Charles II; Royal Collection by 1690
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Creator(s)
Acquirer(s)
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Medium and techniques
Recto: Black chalk. Verso: Black chalk
Measurements
18.4 x 12.7 cm (sheet of paper)
Markings
watermark: Six-bladed Catherine wheel, close to Briquet 13278, 13280 [centre-right]
Other number(s)
RL 12573Alternative title(s)
Recto: A masquerader in the guise of a prisoner. Verso: A nude male figure