A pen and ink drawing of a man standing in profile to the left: looking down with his hands thrust into a furry muff; with his face obscured by his full-bottom wig; wearing a wide-skirted coat and a sword; with his tricorn hat under his arm.

This is a caricature of Benedetto Baldassari, known as 'Benedettino', a soprano castrato who performed in Italy and Germany, where he was in the service of the Elector Palatine at Düsseldorf (c. 1708–14). In London he performed in Handel's Floridante at the King's Theatre in 1721.

This drawing belongs to an album of operatic caricatures mainly by Marco Ricci and Anton Maria Zanetti the Elder, an intact album from the library of Joseph Smith. Zanetti and another Venetian collector, Francesco Algarotti, owned similar albums, with many of the caricatures copied or traced, with identifying inscriptions. Zanetti's album is now in the Fondazione Giorgio Cini, Venice, and Algarotti's belongs to Albert Gellman and is in the Israel Museum, Jerusalem. There is a version of this drawing in the Algarotti-Gellman Album of eighteenth-century Venetian operatic caricatures: Croft-Murray no. 18. This singer is also represented in two drawings in the Zanetti album of caricatures in the Fondazione Cini: inv. 36581 and inv. 36639.

Opera was an important part of Venetian society and culture, and such caricatures were circulated among friends and collectors for light-hearted amusement. Joseph Smith was a keen opera lover who was married to the English opera singer Catherine Tofts and kept a box at the Teatro San Grisostomo in Venice. He collected operatic caricatures of the singers and performers of the day as well as artists and other well-known characters by Marco Ricci and others, and had them bound into this album. The drawings were shared and circulated among the three collectors and their circle as light-hearted amusement, but the artistic caricature was also a long established practice in Italian art.