A drawing of Saul falling from his horse, surrounded by a melee of soldiers; a distant landscape with classical buildings; Christ and God the Father among clouds. 

The drawing was published by Frederick Antal as Taddeo Zuccaro's first idea for his altarpiece in the Frangipani chapel of San Marcello al Corso, Rome (Old Master Drawings, XIII, 1938-39, p. 37). This was rejected by Popham (in P&W)), as a derivation from that painting, and 'clearly [by] Marco da Faenza, whose mannerisms are here, as always, very easily recognisable.' (The attribution to Zuccaro was also rejected by J. Gere, TZ, 1969, p. 82, n. 3.)