A drawing of a personification of Charity giving bread and money to two children. Popham (in P&W) thought the drawing might be a study for a statue, but it is more likely that it was for an illusionistic wall painting; Farinati was widely employed to produce decorative schemes for the interiors and facades of private residences in and around Verona, a high proportion of which have now been destroyed, and no related work has been identified.

The Royal Collection holds forty-seven sheets by Farinati and his followers. It is probable that most, if not all, were acquired during the reign of Charles II. A list of albums at Kensington Palace in 1727 includes one volume of drawings by Farinati and his followers, in which this sheet was housed. The album contained RCINs 904973 – 905026, with other sheets by Farinati housed in a miscellaneous album. These volumes were subsequently broken up and the drawings were mounted separately.