An etching after a painting catalogued by Ruland (1876) as being then in the possession of Baron Minutoli, Liegnitz. Lettered with production details.

The painting freely adapts the composition of Raphael’s so-called Garvagh Madonna (also known as Aldobrandini Madonna) now in the National Gallery, London (inv. no.NG 744). For a photograph of the painting reproduced in this print, see RCIN 850885. For a photograph of the Aldobrandini Madonna, see RCIN 850881.

Showing the seated figure of the Virgin holding the Christ Child on her lap, who reaches for the carnation presented by the Infant Baptist who sits on a cushion on the right.