A set of four large two-handled tureens with covers and stands, the covers with crabstock handle and floral terminals, decorated in the Flora Danica pattern with a botanical specimen on the cover of the dish, often with rootstock and in flower, the specimen named in black underglaze inscriptions to the base with the notation of the Flora Danica encyclopedia entry.

The painting of botanically accurate specimens on porcelain had a wider tradition in Europe. In 1790, Crown Prince Frederick of Denmark (1768–1839), who was acting as regent for his father, Christian VII (1749– 1808), ordered a porcelain dessert service from the Royal Copenhagen porcelain manufactory (established in 1775). The intended recipient was not known, but it was suggested that the service would be a diplomatic gift for Catherine the Great of Russia (1729–96), to rival the great Wedgwood ‘Frog service’. The cost of producing the Flora Danica service, between 1790 and 1802, when production was halted, was £13,000. The cessation of production was so sudden that four of the cruets remained lidless, and the service became part of the Danish royal collection soon afterwards.

Each piece featured a plant, which was copied directly from Flora Danica, a multi-volume encyclopaedia on botany begun in 1761. The plants in the encyclopaedia were those growing within the jurisdiction of the Danish monarchy, and therefore included specimens from Norway and into Greenland and Iceland. Separate specimens were selected for lids and bases of serving ware, and the images were so faithfully copied from the encyclopaedia that they also included their roots. On the reverses of all the plates and the tureen bases are the Latin names for the plants, in black underglaze, and a notation which directly relates to the volume and plate for the plant in the Flora Danica encyclopaedia. Some pieces were lost during the fire at the Christiansborg Palace in 1884, but 1,530 pieces (of an original total of 1,802) remain in the Danish royal collection today.
 
Text adapted from Painting Paradise: The Art of the Garden, London, 2015.