During the period of peace following the Napoleonic Wars, increasingly elaborate (and often quite impractical) military attire was devised, particularly by George IV. By the time William IV came to the throne in 1830, uniforms had become too expensive and were simplified and adapted once again. The result of these changes was codified and promulgated in the 1831 Dress Regulations. These paintings were intended to provide a visual record of the recent changes to military dress. Their value is not only historical, however, but also aesthetic: Drahonet produces lively, slightly elongated figures, capturing their facial expressions and setting them in a variety of organic poses.

Each painting in the series depicts a single figure against a neutral background. Although their uniform and accoutrements are the focus, the sitters are often identified by name, as well as regiment and rank. Shown here is Private Charles Churchill of the 14th (The King's) Light Dragoons. The Light Dragoons were a cavalry regiment particularly responsible for scouting and reconnaissance duties, and were less heavily armed than the standard Dragoons. Churchill is shown holding his carbine in one hand and a cartridge in his mouth, preparing the weapon for use. 

The dress of the Light Dragoons had undergone complete transformation in the years preceding Drahonet’s paintings Their coatee, previously blue, was reissued after a General Order of 1830 stipulated that the regiment be dressed in red. From 1831, their overalls changed from light blue-grey to dark blue with a double red stripe. Here the Private also wears the new model of bell-top shako approved for the regiment in 1828, which can be seen from the front here. By showing Churchill with his back to us, Drahonet illustrates the way in which the ammunition pouch and sabretache hung from the interconnected shoulder belts and straps.