During the period of peace following the Napoleonic Wars, increasingly elaborate (and often quite impractical) military attire was devised, particularly by George IV. By the time William IV came to the throne in 1830, uniforms had become too expensive and were simplified and adapted once again. The result of these changes was codified and promulgated in the 1831 Dress Regulations. These paintings were intended to provide a visual record of the recent changes to military dress. Their value is not only historical, however, but also aesthetic: Drahonet produces lively, slightly elongated figures, capturing their facial expressions and setting them in a variety of organic poses.

Each painting in the series depicts a single figure against a neutral background. Although their uniform and accoutrements are the focus, the sitters are often identified by name, as well as regiment and rank. According to the inscription, this painting depicts Lance-Sergeant Donald Cameron of the 92nd Highland Regiment, although no one of this name can be found in the Muster Rolls of the period.

By depicting the Lance-Sergeant from behind, Drahonet reveals the ‘fly plaid’ tucked under his shoulder belt and draped down his back, as well as the ammunition pouch attached to the belt and the black bow and red-based plume of his bonnet. As can be seen here, the 92nd were one of five kilted regiments, and the figure also wears the red and white checked hose which had been part of the uniform since the 18th century. On the sleeve of his red coatee, which has white wings and yellow facings, the three chevrons indicate the rank of Lance-Sergeant.