During the period of peace following the Napoleonic Wars, increasingly elaborate (and often quite impractical) military attire was devised, particularly by George IV. By the time William IV came to the throne in 1830, uniforms had become too expensive and were simplified and adapted once again. The result of these changes was codified and promulgated in the 1831 Dress Regulations. These paintings were intended to provide a visual record of the recent changes to military dress. Their value is not only historical, however, but also aesthetic: Drahonet produces lively, slightly elongated figures, capturing their facial expressions and setting them in a variety of organic poses.

Each painting in the series depicts a single figure against a neutral background. Although their uniform and accoutrements are the focus, the sitters are often identified by name, as well as regiment and rank. Shown here is George Allan of the Royal Sappers and Miners. Although the inscription identifies him as a Private, Allan was in fact a Second Corporal, and indeed the chevron on his sleeve indicates this rank. The Royal Sappers and Miners were in 1787 to support the work of the Royal Engineers, at that time an officer-only corps. In addition to forming the roles of the standard infantry, the Sappers and Miners were involved in aspects of military engineering including the construction of roads, bridges, camps, fortifications and drainage systems.

Allan’s uniform is similar to that of Sergeant John Johnston, although he wears dark blue trousers with a red stripe rather than the white trousers permitted in the summer months. He turns slightly to one side, revealing the sabretache and ammunition pouch which hang from his crossed shoulder belts. Drahonet depicts him holding a musket equipped with a bayonet.