During the period of peace following the Napoleonic Wars, increasingly elaborate (and often quite impractical) military attire was devised, particularly by George IV. By the time William IV came to the throne in 1830, uniforms had become too expensive and were simplified and adapted once again. The result of these changes was codified and promulgated in the 1831 Dress Regulations. These paintings were intended to provide a visual record of the recent changes to military dress. Their value is not only historical, however, but also aesthetic: Drahonet produces lively, slightly elongated figures, capturing their facial expressions and setting them in a variety of organic poses.

Each painting in the series depicts a single figure against a neutral background. Although their uniform and accoutrements are the focus, the sitters are often identified by name, as well as regiment and rank. Shown here is Captain Warden Flood of the 51st (2nd Yorkshire West Riding) Regiment of Foot, which was granted the title ‘The King’s Own’ in 1821.

In this painting, Flood stands proudly with one hand on his hip and the other holding a sabre. The red coatee with blue facings and the dark, Oxford Mixture trousers he wears were standard for the 51st Regiment of Foot, as was the shako topped by a dark green ball tuft and emblazoned with the regimental badge (French Horn and White Rose) in the centre of a gilt star. On the other hand, Flood’s elaborate gold shoulder wings, red tasselled sash, collar ornamentation and double-breasted coatee cut were aspects of the uniform reserved for Officers of his rank.