During the period of peace following the Napoleonic Wars, increasingly elaborate (and often quite impractical) military attire was devised, particularly by George IV. By the time William IV came to the throne in 1830, uniforms had become too expensive and were simplified and adapted once again. The result of these changes was codified and promulgated in the 1831 Dress Regulations. These paintings were intended to provide a visual record of the recent changes to military dress. Their value is not only historical, however, but also aesthetic: Drahonet produces lively, slightly elongated figures, capturing their facial expressions and setting them in a variety of organic poses.

Each painting in the series depicts a single figure against a neutral background. Although their uniform and accoutrements are the focus, the sitters are often identified by name, as well as regiment and rank. Shown here is Private James Forester of the 7th Regiment of Foot (or Royal Fusiliers). Formed in the 17th century, this was the first regiment to gain the ‘Fusilier’ designation and the title ‘Royal’. The Fusiliers were so called because they carried light flintlock fusils, rather than the heavier muskets used by the rest of the Infantry.

Turned to one side, Forester illustrates many aspects of the Fusilier uniform and accoutrements. He wears the red coatee and white summer trousers common to much of the Line Infantry, while the white woollen wings on his shoulders and his model of bearskin help distinguish him as a Fusilier.