During the period of peace following the Napoleonic Wars, increasingly elaborate (and often quite impractical) military attire was devised, particularly by George IV. By the time William IV came to the throne in 1830, uniforms had become too expensive and were simplified and adapted once again. The result of these changes was codified and promulgated in the 1831 Dress Regulations. These paintings were intended to provide a visual record of the recent changes to military dress. Their value is not only historical, however, but also aesthetic: Drahonet produces lively, slightly elongated figures, capturing their facial expressions and setting them in a variety of organic poses.

Each painting in the series depicts a single figure against a neutral background. Although their uniform and accoutrements are the focus, the sitters are often identified by name, as well as regiment and rank. Shown here is Lieutenant and Captain Thomas Wood of the Grenadier Guards. The Grenadier Guards, part of the Foot Guards, were approved as a distinct infantry regiment in 1815. Amongst other roles, they were trained to throw grenades and to provide close protection to the King.

Wood, standing proudly with one hand on his hip and the other brandishing a sword, models the new Foot Guard coatee, which had been introduced in 1829. It was double breasted, without lapels, with two rows of buttons and blue facings. The Prussian collar, though red at the back, at the front was embroidered with gold and decorated with two grenade badges. As an Officer, Wood also wears gold bullion epaulettes and a regimental belt plate, and his buttons are gilt rather than pewter. Although the bearskins were tall, the height of this one may have been exaggerated by Drahonet.