During the period of peace following the Napoleonic Wars, increasingly elaborate (and often quite impractical) military attire was devised, particularly by George IV. By the time William IV came to the throne in 1830, uniforms had become too expensive and were simplified and adapted once again. The result of these changes was codified and promulgated in the 1831 Dress Regulations. These paintings were intended to provide a visual record of the recent changes to military dress. Their value is not only historical, however, but also aesthetic: Drahonet produces lively, slightly elongated figures, capturing their facial expressions and setting them in a variety of organic poses.

Each painting in the series depicts a single figure against a neutral background. Although their uniform and accoutrements are the focus, the sitters are often identified by name, as well as regiment and rank. Shown here is Sergeant Alexander Jameson of the 2nd (Queen’s Royal) Regiment of Foot, a Line Infantry regiment.

In this painting, Jameson models the full uniform and accoutrements of the Line Infantry, including the single-breasted coatee with lace loops, the white trousers permitted in the summer months, and the shako with white plume newly approved for the regiment. In addition to the knapsack visible behind him, Jameson carries a carbine, bayonet and sword. His rank is indicated by the three chevrons on his sleeve. His epaulettes and other ornamentation are white rather than the gold reserved for Officers.