During the period of peace following the Napoleonic Wars, increasingly elaborate (and often quite impractical) military attire was devised, particularly by George IV. By the time William IV came to the throne in 1830, uniforms had become too expensive and were simplified and adapted once again. The result of these changes was codified and promulgated in the 1831 Dress Regulations. These paintings were intended to provide a visual record of the recent changes to military dress. Their value is not only historical, however, but also aesthetic: Drahonet produces lively, slightly elongated figures, capturing their facial expressions and setting them in a variety of organic poses.

Each painting in the series depicts a single figure against a neutral background. Although their uniform and accoutrements are the focus, the sitters are often identified by name, as well as regiment and rank. Shown here is Colour-Sergeant William Maundrell of the Coldstream Guards, an infantry regiment named after the town on the Scottish border where they were assembled in the 17th century.

Maundrell’s uniform is similar to that of the Coldstream Officer also painted by Drahonet, although the quality of the ornamentation and badges was probably lower. In addition, Maundrell wears dark, Oxford mixture trousers rather than the white summer trousers. From his white chest belts hang his sword, bayonet and ammunition pouch, and his knapsack is visible over his shoulder. Maundrell’s right sleeve is prominently depicted, making visible the chevrons and badge of Colour-Sergeant. This was a rank immediately above that of Sergeant and included the role of escorting the ensign who carried the regimental colours.