Jan Frans Portaels (1818-95) studied at the Brussels Academy under François-Joseph Navez, from 1836-40. He travelled widely in North Africa, resulting in a series of works in an oriental style. Upon his return to Belgium he was made director of the Academy in Ghent, in 1847. He was the head of a studio in Brussels from 1858 to 1870, and was known as a liberal teacher; he rejected strict Academic rules and encouraged a wide variety of approaches to painting. Portaels thus exercised a considerable influence over the younger generation of Belgian artists. He resigned as Professor of Painting and Drawing at the Brussels Academy, a post held from 1863 to 1865, in order to devote himself to his private practice. As well as paintings inspired by biblical subjects, Portaels painted a number of portraits and figures in an elegant, finished style, such as these two Sicilian women of 1861. In 1878 he was appointed Director of the Brussels Academy, a post he held until his death.

Three-quarter length, facing half right, with her head almost in profile to the right; wearing a wedding dress with slashed sleeves with blue ribbon trim. Her hands are clasped with a rosary and a posey of myrtle. To the right there is a vase with a white rose, and a box with jewels, below an icon of the Madonna and Child. This is a pair with RCIN 406231.