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1 of 253523 objects
James Quin (1693-1766) 1760-63
Oil on canvas | 64.7 x 50.9 cm (support, canvas/panel/stretcher external) | RCIN 405949
Thomas Gainsborough (1727-88)
James Quin (1693-1766) 1760-63
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This painting was acquired for only six guineas with other unfinished works from the studio sale in 1797 of Gainsborough's nephew and assistant, Gainsborough Dupont. It is a sketch for a full length portrait (now in the National Gallery of Ireland) painted during Quin's retirement in Bath and exhibited at the Society of Artists in 1763. Quin was one of the leading actors of the generation before David Garrick, though the two were friendly rivals on the London stage for at least a decade. Quin excelled in larger-than-life stage presence and powerful declamation: Garrick was considered the better Richard III, Quin the better Falstaff. Smollett's 'Humphrey Clinker' of 1771 contains an extended literary portrait of Quin during his Bath retirement as a sort of real life Falstaff. Gainsborough's sketch shows similarly the lively bonhomie of a 'big personality'.
Provenance
First recorded in the Royal Collection during the reign of Queen Victoria, 1876
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Creator(s)
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Medium and techniques
Oil on canvas
Measurements
64.7 x 50.9 cm (support, canvas/panel/stretcher external)
96.2 x 82.4 x 8.2 cm (frame, external)
Category
Object type(s)