A group of harbour scenes have been attributed to the collaboration of Salucci for the architecture and Miel for the figures (see for example CWLF 44, 404916); the only dated example (Art Museum, Cincinnati) bears the date 1656. This is similar in technique but different in imagery being the most sublime and threatening ruin, peopled by cowed figures, with no modern building to offer them shelter; the effect anticipates Piranesi by a century.