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1 of 253523 objects
Queen Caroline of Ansbach (1683-1737), when Princess of Wales Signed and dated 1716
Oil on canvas | 240.0 x 141.6 cm (support, canvas/panel/stretcher external) | RCIN 405313
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Kneller was born in Lubeck, studied with Rembrandt in Amsterdam and by 1676 was working in England as a fashionable portrait painter. He painted seven British monarchs (Charles II, James II, William III, Mary II, Anne, George I and George II), though his portraits of Charles II are not longer in the collection, and in 1715 was the first artist to be made a Baronet (the next was John Everett Millais in 1885). A set of portraits of naval heroes was given by George IV to the Royal Naval Hospital in Greenwich in 1824.
This is one of a pair of portraits of the Prince and Princess of Wales (OM 343 and 345, 406073 and 405313) so often copied that they must have been considered the 'official' likeness of the couple. The portraits are dated 1716 and may therefore have been painted during (and because of) the period of six months from July 1716 when George I returned to Hanover and his son was awarded the title 'Guardian and Lieutenant of the Realm' to rule in his absence.
The future Queen Caroline wears ermine-trimmed robes of state over an embroidered silk gown and stands between a richly carved chair. Unfortunately this portrait was separated from its pair (OM 343, 406073) when Queen Victoria used it in a dynastic hang in the State Dining Room at Buckingham Palace, which survives to this day and which pairs it with Shackleton's portrait of George II (OM 567, 405310).Provenance
Painted for George II; probably recorded in 'their Majesties Private Bedchamber' at Hampton Court in 1750; in Queen Mary's Work Closet in 1819; in the 2nd Room at the Prince of Wales Apartments in 1835 (no 526); in its present position in the State Dining Room at Buckingham Palace by 1841
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Medium and techniques
Oil on canvas
Measurements
240.0 x 141.6 cm (support, canvas/panel/stretcher external)