Stroehling’s work in the Royal Collection allows us to trace a rare example of continuity between the masters of the Dutch Golden Age and those of the early nineteenth century. Stroehling was brought up in Dusseldorf where a magnificent collection of the polished, classicising and elegant works (often on copper) by artists such as Adriaen van der Werff (1659-1722) had been formed by Johann Wilhelm II, Elector Palatine (1658-1716). Stroehling worked all over Europe but spend much of the first two decades of the nineteenth century in London; between 1810 and 1820 he was even styled ‘Historical Painter to the Prince of Wales’. Stroehling’s work elsewhere tended to be life-sized portraiture, but the Royal Collection has an important group of small-scale portraits on copper, executed with fine detail and a glossy finish; Joseph Farington perceptively referred to them as ‘painted in a Vanderwerfe manner’. Stroehling’s price for these ‘Cabinet Pictures’ was 200 guineas each, an impressive sum in the period even for a life-sized work. This is one of six paintings of the Queen and her five daughters, commissioned by George IV and delivered to Carlton House in December 1807 (OM 1094-9, 404863, 404869-70, 404866, 404864, 404871), which suggest that the Princesses are models of dignity and virtue from the ancient world, demonstrating every feminine accomplishment. Princess Sophia is here shown at work on an embroidery frame, looking up at a bust of Minerva; a little spaniel is on a sofa behind. Incised on the back with the name of the artist and sitter and ‘done at Windsor 1807’.