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Jacob Jacobsz de Wet II (Haarlem 1641/2 - Amsterdam 1697)

Edward Balliol, King of Scotland (1332-56) 1684-86

Oil on canvas | 83.3 x 69.0 x 2.4 cm (support, canvas/panel/stretcher external) | RCIN 403354

Great Gallery, Palace of Holyroodhouse

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  • This painting shows the head and shoulders of Edward Balliol. It is depicted within a painted oval with the head facing one quarter to the left. The artist has depicted the monarch wearing a brown fur-trimmed jacket, and a dark red cap with a central white feather. He is also shown with a moustache and shoulder-length hair. This portrait is one of ninety-three bust-lengths commissioned to decorate the Great Gallery at Holyroodhouse, Edinburgh. It is painted by Jacob de Wet II, a Dutch artist working in Scotland from 1673. Together with eighteen full-lengths these portraits illustrate the genealogy of the royal house of Scotland from Fergus I (who ascended the throne in 330 BC) to James VII (who abdicated in 1689). De Wet’s iconographic scheme was based on well-known chronicles of Scottish history by the Renaissance humanists Hector Boece (Scotorum Historiae, 1527) and George Buchanan (Rerum Scoticarum Historia, 1582). The inscriptions on the paintings correspond with Buchanan’s list of Scottish kings: from left to right, these are the number and name of the king followed by the date of accession. The dates however are considerably muddled, by a later restorer or perhaps even the artist himself. Both real and legendary, their purpose was to proclaim the authority of the Stuarts as divinely appointed rulers of Scotland. Commissioned and paid for by the Scottish Privy Council, the series was intended to convey the power and greatness of the country’s governing body as much as that of their king. With no authentic likenesses on which to base his portraits of medieval kings, de Wet made extensive use of an earlier set by the Scottish artist George Jamesone, of which twenty-six survive in private collections. From this limited basis the resulting series appears rather repetitious. Much more important than their aesthetic merit therefore was the symbolic power of painting an extremely long royal lineage stretching more than two millennia. Buchanan, Rerum Scoticarum Historia (translation from 1751): ‘Son to John Balliol, usurped the Crown of Scotland, being assisted by Edward III King of England … expelled at length by David II his Regent’. Number 99 in the series. Inscribed EDVARDVS BALLIOLVS. 1339.
    Provenance

    Commissioned by the Scottish Privy Council in the name of Charles II.

  • Medium and techniques

    Oil on canvas

    Measurements

    83.3 x 69.0 x 2.4 cm (support, canvas/panel/stretcher external)

  • Other number(s)
    Alternative title(s)

    EDVARDVS BALLIOLVS