The story of Cupid and Psyche comes from Chapter vii of Apuleius’s 'Golden Ass'. In the episode illustrated here putti ride dolphins, sail shells and pull in nets; on the left one coils the line of a net, while another stands behind him next to a basket of fish, resting an arm on a wine container and directing operations.

This ornamental frieze by Polidoro da Caravaggio forms part of a series of nine panels, made up of three large scenes from the story of Cupid and Psyche and six narrow friezes. They are first recorded when acquired in 1637 by Charles I. There is no documentation of the original commission and no way of telling if the set of nine is complete, although the three Psyche scenes make what could be a stand-alone group of highlights from the story. The panels are obviously decorative and were probably painted in situ for an item of furniture or the paneling of a room; they were perhaps part of the decoration of a bed, the love story of Cupid and Psyche being an appropriate subject for a bedchamber.

The painting appears in Pyne's illustrated 'Royal Residences' of 1819, hanging in The Queen's Drawing Room at Kensington Palace (RCIN 922152).