This edition of the Bible was printed in Strasbourg by the “R-Printer”, so named for their use of a distinctive type for capital letter R. It is now believed that he was Adolf Rusch, a collaborator of a well-known printer in Strasbourg, Johannes Mentelin. This copy has been decorated and heavily annotated. The name "Ignatius" signed at the end accompanied by a prayer, may have been the artist who added the various incipits/explicits and running headers to the text. 

Bibliographic description
Royal paper folio. [425] leaves. No signatures; lacks blanks. Red leather thumb tags mark the beginning of each book. Double-column layout; MS rubrics; red paragraph signs (some MS chapter numbers in red); MS running headers in red. Decorated initials in red with infills and pen-flourishes in red and blue; red strokes decorate the minims of capitals. 

Binding description
Late fifteenth- or sixteenth-century binding: the textblock was trimmed, so it may not be immediately contemporary with the publication. Full pigskin on wooden boards with bevels on all edges, once with metal bosses and clasps. Covers fully decorated with blind tools arranged in concentric borders -- some have foliage motifs, the inner ones have a circle of personified virtues, the innermost are other people (with halos, saints?) ; bands in the centre include small circles with heads of two men, one with a laurel crown the other with a helmet; upper cover also includes stamped letters: BC and 88. Five double cords with five raised bands, single headband. Textblock dyed red.